The Fusion of the Ideal and the Real

The quixotic poet, earth- confine Keats, fuses the ensample with realism by his poetry. The rite of the ?even of St. Agnes? is use to show Madeline her noble-minded husband. Sadly, existence does non bear Madeline to have her high-flown husband. In the ?Ode on a Greek Urn,? Keats stresses the timeless beauty and purity of the urn to identify its sublime nature. He also mentions its true emptiness to manifest the reality of the urn. In the ?Ode to a neartingale,? Keats attempts to use the nightingale as a center of transcendence to a ? reform realism.? Yet this ?better humanness? is only temporary and one mustiness ceaselessly multitude issue to reality. These poems of John Keats atomic number 18 prime examples of the usage of the standard and reality in Romantic poetry. The rite of the eve of St. Agnes is state to have caused a vision of a bride?s husband. The narrator mentions, ?They told her how, upon St. Agnes? even, Young complete(a)s might have vis ions of delight, And daft adorings from their loves receive Upon the dulcify?d middle of the night? (46-49). Porphyro uses this as an opportunity to deepen integrity Madeline?s choice in him. Porphyro testament pass e reallyplace so that Madeline will conceive of of and awake to him. Madeline will trance of Porphyro and in her dreams, he is the ideal husband she has been thirst for. The bank clerk says, ?He play?d an antique ditty, long since mute, In Provence call?d, ?La belle dame sans mercy:? Close to her pinna touching the melody;?Wherewith disturb?d, she enunciate?d a soft moan: He ceased?she panted alert?and suddenly Her sacrilegious affrayed eyes broad open shone??(291-294). The soft moan and underdrawers indicate the pleasure of Madeline?s dream of Porphyro. It seems as though Madeline has seen her ideal husband in her vision. Porphyro ready for this manipulation very(prenominal) well and it seemed to have caused success. The narrator says, ?In blanched linen, smooth, and chromatic?d, While he fr! om forth the closet brought a passel Of candied apple, quince, and plum, and gourd; With jellies soother than the creamy curd, And lucent syrops, colourize with cinnamon bark?? (263-267). This indicated his preparation for this event. Yet by Porphyro impede in the ritual, the idealness of the ritual itself is negated. The ritual is meant to supernaturally allow the virgin bride to have a vision of their true husband. on that pointfore, Porphyro forces ?reality? into Madeline?s ideal dream. excessively Madeline comes to realize that the ideal cannot be reality. The narrator mentions, ?Her eyes were open, besides she still beheld, Now wide awake, the vision of her sleep: There was a painful change, that nigh expell?d The blisses of her dream so pure and deep At which fair Madeline began to weep?? (298-302). Madeline awakes to Porphyro and is pretty disappointed. She looks at him and begins to weep because she comes to a realization. This realization is that the real Porphyro ca nnot equalize to her ideal Porphyro. The urn, in the ?Ode on a Grecian Urn,? is visualised as an ideal and to the highest degree supernatural object. He uses hopeful imagery and portrays it as a timeless image of authorized antiquity. The narrator mentions, ?Heard melodies atomic number 18 sweet, but those unheard are sweeter; therefore, ye soft pipes, play on; not to the sensual ear, but, more than endear?d?? (11-13). He makes it seem as though the urn is perfect. He also depicts it as of timeless beauty and purity. Keats narrates, ? molar concentration still unravish?d bride of quietness, Thou foster-child of silence and leaden time?? (1-2). The ?unravish?d? bride is supposed to symbolize the purity or virginity of the urn. Referring to the urn as a ?foster-child,? personifies the urn and attempts to compare it to a human. This reference is used to imply that the urn is not of other urns, yet it was cared for by humans. This opulent quality right remote changes when t he speaker system realizes the actual emptiness of t! he urn. The speaker praises the wo image on the urn, yet realizes that art leaves questions un get alonged. The tone of voice begins as pleasant praise to violent skepticism. The narrator says, ?What wander fringed legend haunts active thy shape? (5). Since art is still, it is not dynamic or amendable to being able to function questions. The narrator also mentions, ?What mad pursuit? What struggle to degraded? What pipes and timbrels? What wild ecstasy? (9-10)? The narrator finally comprehends that art does not display the complete narrative; art is just the national agency of a singular moment.

A singular moment, which does not tell the emotions and certifyground that are necessary in full understanding. The ?Ode to a Nightingale? explores the sufferings of mortal life and ways of leave out including alcohol, visual sense and poetry, and death. The nightingale represents transcendence to a better world and its margin call is the means by which the narrator reaches this state. The narrator says, ?With beaded bubbles nictation at the brim, And purple-stained address; That I might drink, and leave the world unseen, And with thee fade onward into the forest dim?? (17-20). The narrator needinesss to head for the hills his pains through alcohol. He then wants to transcend with the nightingale. He narrates, ?Away! away! for I will fly to thee, Not charioted by Bacchus and his pards, scarcely on the viewless wings of Poesy, though the dull pass perplexes and retards?? (31-34). He longs to transcend with to the nightingale and to be in a ?better world.?Sadly, the narrator returns t o reality and comes to a realization about the nighti! ngale. This realization seems to have been prompted by the backchat ? hopeless.? The speaker says, ?The very(prenominal) that oft-times hath Charm?d magic casements, curtain raising on the foam Of perilous seas, in faery lands forlorn? (68-70). This rule book leads to the narrator?s realization. He then says, ?forlorn! the very word is like a bell To roil me back from thee to my sole self! Adieu! the fancy cannot darnel so well As she is fam?d to do, deceiving elf? (71-74). He realizes the nightingale has deceived him by convincing him he can escape into the ideal world. He realizes that this world is only temporary and he must always return to reality. In conclusion, John Keats bright fuses the ideal and reality in order to intensify his Romantic poetry. The ? eve of St. Agnes,? the ?Ode on a Grecian Urn,? and the ?Ode to a Nightingale? are prime examples of his use of the ideal and reality. There is a revenant theme of the ideal and how it always must return to reality. Bi bliographyEve of St. Agnes by John KeatsOde on a Grecian Urn by John KeatsOde to a Nightingale by John Keats If you want to get a full essay, order it on our website: OrderCustomPaper.com

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